American radio producer, DJ, and writer Jim Ladd initially gained notoriety as the host of the hour-long radio program Interview. Ladd also presents music programs on the Deep Tracks channel on Sirius XM radio.
It’s possible that a well-known name in the radio industry has retired. Jim picks the songs he plays on his nationwide SiriusXM Deep Tracks Freeform Radio program, transforming them into Freeform rock.
On the radio, he routinely invites listeners to join him. The majority of his musical performances have a topic or a narrative, such as those concerning politics, fast vehicles, Old West outlaws, or attractive women. The host also accepts requests from the audience, and on occasion, these can spark a full set.
Is Jim Ladd Leaving Sirius XM? Where Is He Now?
Recent updates from Jim Ladd indicate that he does not appear to be departing Sirius XM. The radio host has not stated on his social media pages that he plans to leave.
Until August 17, when he asked fans to tune in for the broadcast, he was active on social media. Jim still mentions Sirius XM as his employer on his Twitter account, and he also provides his show timings.
For the past 11 years, Jim has been a member of Sirius XM, and during that time, he has won over listeners’ admiration. Ladd provides SiriusXM Satellite Radio listeners with his imaginative brand of free-form rock.
Crosby Stills & Nash, Roger Waters, the Eagles, Jackson Browne, Slash, John Fogerty, Carlos Santana, and many other well-known people have appeared on his nationally syndicated show.
Are The Retirement Rumors Of Jim Lad True? Illness Update
It’s possible that Jim Ladd’s tweet signaled his retirement. He sent up a tweet on August 23 thanking everyone for reading and being his pals.
It appeared from reading the comments section that the radio host had given up. Jim is 74 years old and has been employed for a considerable amount of time.
Ladd’s health is not mentioned, yet his advanced age may have contributed to his potential retirement. The radio personality will shortly make an announcement whether he is retiring.
Keep an eye on his Twitter feed. Ladd can be reached via the handle @JimLaddRocks.
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Jim Lad Wife Name Is Helene Hodge-Ladd: Family Details
According to Wikipedia, Jim Ladd’s family comprises of him and his wife Helena Hodge Ladd; they have never had a child together.
The information about his wife may be obtained on her LinkedIn profile. Although the couple’s wedding date is unknown, Jim and Ladd appear to have been married for a considerable amount of time.
The wife of Jim is also a musician, writer, and poet. According to Hodge’s bio, she helps her friend Jim Ladd with his programs, which are streamed from Monday through Friday from 8 PM to 1 AM.
Helena is a very talented individual who also doubles as a professional motorcycle rider and a combat-trained female voice actress for video games.
Net Worth Of Jim Ladd: Is The Radio Host Rich?
Jim Ladd has a net worth of more than $2 million. The radio personality worked at many stations to get all of this money.
DJ Jim Ladd has also recorded episodes of his SiriusXM radio show from his house, which has featured Bonnie Raitt and Carlos Santana among other guests.
He purchased the house in 1988 for $245,000, and in 2018, he sold it to director-producer Jane Clark for $1.1 million.
Jim Ladd, a disc jockey, radio producer, and writer from the United States, was born on January 17, 1948. He is one of the few renowned freeform rock DJs still active in American commercial radio. Ladd initially rose to fame on a national level as the host of the hour-long, nationally syndicated radio program Innerview, which ran for twelve years on more than 160 stations. John Lennon, the Grateful Dead, Pink Floyd, Rush, Styx, U2, Joni Mitchell, Stevie Nicks, Crosby, Stills, Nash & Young, the Eagles, and Led Zeppelin are just a few of the musicians Ladd has spoken with.
Born | January 17, 1948 United States |
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Spouse(s) | Helene Hodge-Ladd |
Radio show style
Ladd is responsible for curating the playlist for his show on Nationwide SiriusXM Deep Tracks Freeform Radio, transforming the tunes he plays into freeform rock. He regularly opens up the floor to questions and comments from the audience. The majority of his music sets are structured around a topic or a narrative, such as the outlaws of the Old West, attractive ladies, fast vehicles, or politics. He also takes requests from audience members, and one such request can often serve as the impetus for a complete act.
Every week, on Monday, Wednesday, and Sunday night, he hosted three different shows based on a central subject. Jim made the blues the focus of his show “MOJO MONDAY” from 10 p.m. to 11 p.m. on Monday. On Wednesday at midnight, he gave a performance titled “Headsets” that lasted for the full hour and was uninterrupted. This is a themed compilation of music that has been perfectly blended together, with one song flowing into the next. It also incorporates a variety of sound effects, such as voice overs and movie lines that are relevant to the topic. During the course of this program, Ladd builds what he refers to as the “Theater of the Mind” (headphones are recommended). Poetry was performed and composed by spoken word artists such as Helene Hodge and Victoria Cyr, and was featured on the “Headsets” show that aired each week in addition to music. There have been two albums under the “Headsets” moniker released, and both of them were created in tandem with Billy Sherwood.
Ladd hosted a show on Sunday night called “Theme of Consciousness,” which began at 9 p.m. Pacific Time and lasted until midnight. During this show, listeners submitted requests for songs that were centered on a single word or phrase, such as “colors,” “fire,” or “dancing.” This broadcast recreates what Ladd calls the “Tribal Drum,” which is how he describes the community influence that radio had on people during the early days of FM radio when he was a pioneer in the field. His set list included songs and bands who are not typically played on commercial radio, such as The Beatles, The Doors, and Led Zeppelin, in addition to classic rock standards by groups such as The Beatles and The Doors. The majority of his shows come to a close with a lengthy song, such as “When the Music’s Over” by The Doors, “Achilles Last Stand” by Led Zeppelin, or even Pink Floyd’s “Echoes,” which clocks in at 23 minutes. This practice was once common in radio.
Biography
Early years and KMET
Ladd got his start in the music business in 1969 at a little rock station in Long Beach called KNAC. After working there for a total of two years, he made the move to the KLOS station in Los Angeles. In 1974, he made the move to KMET, also known as “The Mighty Met,” and remained there for the majority of the subsequent 13 years (returning to KLOS in 1984, but going back to KMET again, 2 months before they changed format). During this time, he also hosted and produced Innerview, an hour-long nationally syndicated interview program that aired during the same period. In 1984, he made the move back to KLOS, where he remained for 2 months before
After what many listeners and people working in the industry perceived to be a long steady decline in the station’s output, which was attributed by most accounts to the station’s decision to bring in consultant Lee Abrams and the strict “album-oriented rock” formatting he favored, KMET management shocked southern California and all of radio by suddenly dumping rock music, the call letters, and the entire air staff on February 14, 1987, changing the station’s name to KTWV (“The Wave”) and featuring a new
Jumping station to station, and side projects
In 1987, Ladd had a guest appearance on Pink Floyd bassist Roger Waters’ second solo album, titled Radio K.A.O.S., in which he portrayed a fictitious disk jockey by the name of DJ Jim who converses with the album’s protagonist, a disabled youngster named Billy. Ladd accompanied Waters on the tour that immediately followed, and he also made an appearance in all three of the album’s accompanying music videos. Ladd also appeared in the 1989 film Say Anything directed by Crowe, as a DJ who worked all night…. In addition, Ladd’s work has been highlighted in big movie pictures like Tequila Sunrise, Rush, She’s Out of Control, and Defendor, which stars Woody Harrelson.
Because he refused to adhere to a playlist, as the majority of radio station owners requested, Ladd was only able to work intermittently in the radio industry for a number of years. Ladd worked at KMPC-FM in the late 1980s, where he contributed to the formation of the station’s “Full Spectrum Rock” blend of classic and modern rock. He was enthusiastic about the station’s rebranding as KEDG “the Edge” in March 1989; however, he was terminated from his position when the station abruptly abandoned its rock format two months later.
Radio Waves: Life And Revolution On The FM Dial was published by St. Martin’s Press in 1991 and was a semi-autobiographical book written by Ladd. The book was based on his radio career and the rise and fall of freeform rock radio in Los Angeles, beginning with the beginning of freeform on the West Coast and ending with the closing of KMET in 1987. Ladd’s book was based on his experiences. However, Raechel Donahue has stated that she demanded that Ladd use her own name and that of her late husband Tom Donahue in the book. The names of many people and radio stations that Ladd contacted over that two-decade span were switched for pseudonyms. Others who were recognized by their “air names” include David Perry, Ace Young, Jack Snyder, Damion, and the late B. Mitchel Reed and J. J. Jackson. Also included in this group are others who went by the moniker “Damon.”
During the same year, Ladd began working for KLSX. When the station abruptly switched its programming to talk radio in July 1995, Ladd and the rest of the KLSX crew were let go without any warning or explanation.
Personal life
Ladd is married to writer, poet and musician Helene Hodge-Ladd.
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